Audition Notices

Seeking Local Equity Members, Non-Union Adults, and Female Youth Performers Ages 7-12 for Disney’s FROZEN, MUCH ADO ABOUT NOTHING, RECONSTRUCTION, CHICKEN & BISCUITS, AND BEAUTIFUL: THE CAROLE KING MUSICAL

1 Festival Drive, Montgomery, AL 36117

Friday, July 25th | 9:00 a.m. – 4:00 p.m.
Saturday, July 26th | 9:00 a.m. – 4:00 p.m.

AUDITION REGISTRATION:

You must register for an audition time slot. Time slots are 15 minutes each.

Click here to book your time slot.

No phone calls regarding auditions, please. For additional audition information, visit our Audition FAQs page or email [email protected].

WHAT TO PREPARE:

• (Adults): 16 bars of two contrasting songs. Please have your sheet music neatly bound and properly marked with clear start and end points.
• (Adults): 60 seconds of a monologue of your choice
• (Youth): Prepare to sing and read audition side(s) for YOUNG ELSA and/or YOUNG ANNA with our accompanist.

 

SIDES FOR YOUNG ANNA AND ELSA IN FROZEN
YOUNG ELSA “Northern Lights” Scene
YOUNG ELSA “Northern Lights” Vox
YOUNG ELSA/YOUNG ANNA “Little Bit of You” Music-Cut
YOUNG ELSA “Northern Lights” Music-Cut
YOUNG ELSA “Northern Lights” Accomp
YOUNG ELSA/YOUNG ANNA “Olaf” Scene

 

CASTING BREAKDOWN:

AGATHA CHRISTIE’S MURDER ON THE ORIENT EXPRESS
At this time, all roles are cast.

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DISNEY’S FROZEN
DIRECTOR: QUIN GRESHAM
CHOREOGRAPHER: SAM HAY

Festival Stage
First rehearsal: November 4
Preview: November 26
Opening: November 28

Closing: January 4
Click here for the complete performance listing.

SEEKING:

• YOUNG ELSA (Female identifying, Plays age 7–12, Any Ethnicity, under 5’, A3–C#5) Strong and experienced actor/singer. Next in line for the throne, Elsa hides her powerful magic out of fear of hurting others, especially Anna. Her anxiety and isolation grow until she learns to control her powers and lead the Snow Chorus with confidence.
• YOUNG ANNA (Female identifying, Plays age 7-12, Any Ethnicity, under 5’, A3–D5) Strong actor/singer with excellent comic timing. Anna is bright, energetic, and endlessly optimistic — always craving connection, especially with her sister Elsa. Warm, loving, and determined.
• ELSA (Female identifying, Mid 20’s-Early30’s, Any Ethnicity, Soprano with high belt, F#3 to D5) The older of the two princesses and next in line for the throne.  She was born with magical powers that she is still learning to control. In the past she has unwittingly harmed loved ones with them.  Fearful of hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn.  Eventually she learns to take control, and become confident in both her powers and as a leader.
• ANNA (Female identifying, Early 20’s- mid 30’s, Any Ethnicity, Soprano, G3 to D5) The younger of the two princesses, she is imbued with a tremendous amount of light, energy, and love. She is a hopeless optimist and extreme extrovert.  She longs for connection with others, especially her sister, Elsa. Must be a strong singer with great comic timing.
• KRISTOFF (Male identifying, 20’s-30’s, Any Ethnicity, Baritone, G2 to A3) A hardworking ice harvester who has a sarcastic sense of humor and a rough-around-the-edges exterior that hides his big heart. Taken in by the Hidden Folk when he was young, he loves them dearly, but is a bit of a loner. Sven, a reindeer is his best friend and trusted confidant.
• HANS (Male identifying, mid 20’s-30’s, Any Ethnicity, Tenor, G2 to B3) An ambitious Prince of the Southern Isles and overlooked thirteenth son of a king. He boasts an exceedingly charming faç Acts as a typical Prince Charming, but in reality is self-serving and out for personal gain at any cost.  Has no value for other people except for how they may benefit him.
• OLAF (Any Gender, 20’s-40’s, Any Ethnicity, Tenor, F#2 to D4) A magical snowman created by Elsa when she and Anna were young. Olaf is endearingly delighted by everything – especially the idea of summer. Goofy and sweet, Olaf should possess a childlike innocence.  Actor must have excellent comic timing.
• SVEN (Any Gender, Any Age, Any Ethnicity) A reindeer, who happens to be Kristoff’s best friend and companion. Fiercely loyal, though stubborn at times.
• PABBIE (Male identifying, 20’s-30’s, Any Ethnicity, Baritone)  The mystical leader of the Hidden Folk who has a soft spot for “strays.” Along with Bulda, is a parental figure to Kristoff, and always has his and the rest of the Hidden Folks best interests at heart, even if they are a bit misguided in their efforts.
• BULDA (Female identifying, 20’s-30’s, Any Ethnicity, Any vocal range) One of the Hidden Folk who has a soft spot for “strays.” Along with Pabbie, is a parental figure to Kristoff, and always has his and the rest of the Hidden Folks best interests at heart, even if they are a bit misguided in their efforts.
• WESELTON (Male identifying, 30’s on up, Any Ethnicity, Baritone, F#2 to D4) A visiting duke with a huge inferiority complex. A bombastic, overbearing sycophant, Weselton’s sole purpose is to hobnob with influencers and royalty.
• BISHOP (Male identifying, 20’s-30’s, Any Ethnicity) Officiates the coronation and passing of the crown to Elsa. (Can come from Ensemble)
• KING AGNARR (Male identifying, 20’s-30’s, Any Ethnicity, Baritone) The warm-hearted ruler of Arendelle who is committed to protecting both his family and the Townspeople. (can come from Ensemble)
• QUEEN IDUNA (Female identifying, 20’s-30’s, Any Ethnicity, Mezzo-Soprano) The queen who possesses a sense of rightness and kindness that guides her in her protection of her two young girls. A daughter of the Northern Nomads, this queen can communicate with the Hidden Folk of the mountains and therefore understands Elsa’s powers deeply. (Can come from the Ensemble)
• OAKEN (Male identifying, 20’s-30’s, Any Ethnicity, Baritone) An exceedingly cheerful and convivial wandering salesperson and ardent devotee to all things cozy and comfortable.  Actor must be adept with humor. (Can come from Ensemble)
• ENSEMBLE (All Genders and Ethnicities, Any Age, Any vocal range) Seeking strong singers and dancers to play townspeople, hidden folk, snow dancers, and other various parts in the show. Tapping a plus.

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THE LEHMAN TRILOGY
At this time, all roles are cast.

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MUCH ADO ABOUT NOTHING
Festival Stage
Director: Bruce Longworth
First rehearsal: February 17
Preview: March 19
Opening: March 20
Closing: April 5

SEEKING:

• BEATRICE – Witty, intelligent, fiercely independent. She masks vulnerability with sarcasm and brilliance. Her verbal sparring with Benedick hides a deep capacity for love.
  Age range: 20s–40s
  Requires strong command of language and comedic timing.
• BENEDICK – Charming, clever, and proud. He swears never to marry but slowly reveals a tender heart beneath the bravado. His journey from cynicism to sincerity is central to the play.
  Age range: 20s–40s
  Strong comedic skills and chemistry with Beatrice essential.
• HERO – Gentle, kind, and modest. Hero is deeply wronged and remains graceful in adversity. She has strength in her quietude.
  Age range: Late teens–30s
• CLAUDIO – Young soldier, honorable but naive. Easily influenced, his love for Hero is genuine, but his rashness leads to heartbreak.
  Age range: 20s–30s
• DON PEDRO – A nobleman and soldier. Wise, respected, and generous, though occasionally blind to nuance. Enjoys matchmaking and mischief.
  Age range: 30s–50s
• DON JOHN – The villain. Bitter, resentful, and jealous. He sows discord with subtlety and calculated malice.
  Age range: 20s–40s
• LEONATO – Hero’s father and governor of Messina. Dignified and proud, but prone to outbursts. Has a deep sense of family honor.
  Age range: 40s–60s
• DOGBERRY – The bumbling constable. Overconfident, verbose, and hilarious. A master of malapropisms. Comic gold.
  Age range: Open
  Requires physical comedy and strong character work.
• VERGES / THE WATCH – Sidekick to Dogberry and members of the comically inept Watch.
  Great roles for character actors with physical comedy instincts.
• MARGARET – Hero’s witty and sharp-tongued waiting woman. Unwittingly caught in Don John’s scheme.
  Age range: 20s–40s
• URSULA – Another of Hero’s attendants. Loyal and warm. A confidante.
  Age range: Open

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ReCON$ruXion
Octagon Stage
Director: Tiffany Nichole Greene
First rehearsal: March 31 or March 24
Preview: April 23
Opening: April 24
Closing: May 3

SEEKING:

• John Lynch
  Plays 20-60s Black

• Catherine White/others
  20s Black

• Patrick Lynch
  20s White – Lynch’s father

• Mayor William Sturgis/others
  Plays 30s-60s White

• Adelbert Ames/others
  40s White

• James Garfield/others
  mid 40s, White

• President U.S. Grant
  Late 40s-early 50s. White

• LQC Lamarr/others
  30s to mid-40s. White

• James Wormley/others
  50 Black

• Robert Elliott/others
  Black

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Chicken & Biscuits

Octagon Stage
Director: Ron Himes
First rehearsal: May 12
Preview: June 4
Opening: June 5
Closing: June 21

SEEKING:

BANEATTA MABRY
Black woman, late 40s to mid-50s. A dignified, devout Christian matriarch. Mother to Kenny and Simone, wife to Reginald. Baneatta is loving—sometimes to a fault—but rigid in her faith and traditional values. She means well, but often leads with judgment instead of grace. Must balance emotional control with moments of vulnerability and humor.

REGINALD MABRY
Black man, 50s. Baneatta’s loyal husband and the newly appointed pastor of their home church. A warm, affable peacekeeper with a steady presence and a knack for corny Dad jokes. The heart of the family, he radiates patience and love. Grounded with strong comedic warmth.

KENNY MABRY
Black man, mid to late 20s. The youngest child of Baneatta and Reginald. Kenny is openly queer and confident—except around his mother, whose disapproval still deeply affects him. Sensitive, quick-witted, and deeply yearning to be seen and accepted. Looking for emotional depth, comedic timing, and nuance.

LOGAN LEIBOWITZ
White man, mid to late 20s. Kenny’s high-strung, overly analytical Jewish boyfriend of four years. Full of nervous energy, Logan is eager to make a good impression and struggles to stay calm under pressure—often turning to his weed pen for comfort. Must bring neurotic charm, sharp timing, and heart.

BEVERLY JENKINS
Black woman, 40s–50s. Baneatta’s younger sister. Loud, lively, and always dressed to impress. The self-proclaimed “fun aunt” who’d rather party than parent. Beverly is brash, unapologetic, and the life of every room—until real feelings sneak through. Big comedic energy with emotional grounding beneath the surface.

LA’TRICE FRANKLIN
Black female-identifying actor, age 16 (or able to play teen). Beverly’s daughter. Bold, nosy, and always in the middle of adults’ business. A Gen Z firecracker with a sharp tongue and no filter—but it’s all out of love.

SIMONE MABRY
Black woman, 30s. Kenny’s older sister. Polished, poised, and Baneatta’s pride and joy. Simone appears put-together but is privately unraveling after a failed engagement. She’s sharp, slightly shady, and fiercely guarded.

BRIANNA JENKINS
Black woman, 40s–50s. The half-sister no one expected. Daughter of the deceased, born from an affair. Sweet, grounded, and emotionally open. She arrives at the funeral not to stir drama, but to find peace and connection.

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Beautiful: The Carole King Musical
Festival Stage
Director Choreographer: Deidre Goodwin
First rehearsal: June 23
Preview: July 16
Opening: July 17
Closing: August 16

SEEKING:

CAROLE KING
(20s–30s) – Humble, brilliant, and emotionally open. Grows from shy songwriter to iconic solo artist. Must play piano. Mezzo with strong mix/belt.

GERRY GOFFIN
(20s–30s) – Charismatic, passionate, and troubled. Carole’s lyricist and first husband. Bari-tenor.

CYNTHIA WEIL
(20s–30s) – Stylish, sharp, and confident. Carole’s best friend and songwriting peer. Mezzo with belt.

BARRY MANN
(20s–30s) – Goofy, lovable, and neurotic. Cynthia’s partner and future husband. Tenor with falsetto.

DON KIRSHNER
(40s–50s) – Supportive music producer. Believes in talent and success. Baritone; minimal singing.

GENIE KLEIN
(50s) – Carole’s tough but loving mother. Mezzo; minimal singing.

ENSEMBLE
Plays iconic groups (The Drifters, The Shirelles, etc.) and various roles. Strong singers/dancers with R&B, soul, and pop style.

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Alabama Shakespeare Festival is committed to diversity; we encourage performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.

Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.